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Color Correcting

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Amanda , originally uploaded by PhotoGraphicGirl . Clearly you'll know you've been doing a little too much color correcting when you walk outside for lunch and the world looks too blue. During my leadership as the organizer of the Long Island Photography Meetup, I heard a lot of photographers say, "I don't worry about the white balance, I just fix it later in Camera Raw / Lightroom / Photoshop. At the time I thought, "Oh, ok that's cool." But after one brief, nerve wracking lesson with a professional shooter friend of mine, I'm now leaning toward, "That's so NOT the way to think." The other day an awesome photographer friend of mine said, "Stop being lazy." I'm not sure if he realized he said it, because it was in the middle of some other juicy tidbits of knowledge that he was imparting upon me, but it stuck. It stuck because I knew he was right. I was being lazy. And up until that point I was being lazy about white balance...
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Perfect Photos Aren't Perfect. Or Necessary!

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2011 Coney Island Mermaid Parade , a photo by PhotoGraphicGirl on Flickr. At the far end of the throngs of mermaids at the 2011 Coney Island Mermaid Parade was a group of friends dressed in red ensembles. What I loved about this group of young folks is that they seemed to be having an awesome time, and they didn't give a rat's butt about the fact that they weren't really mermaids at all. What I love about these images is that they're not perfect. Blown out, very contrasty... I threw a filter on them and I love it. Why? Because it shows their emotion more than the costume or the background or the perfection of rest of the half-naked people at the parade. I love this group of mermaids and this photo. It's one of my favs from the Mermaid Parade. Thanks for the real emotion girls! Rock on! Adrienne
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"Mama, now is NOT the time to be taking photos."

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I find it amazing that my 3.5-year-old tolerates me shooting him constantly. When he begs to go outside because the other children are riding their bicycles, I make a deal with him, "If you let Mama shoot you, you can go outside and ride bikes." "Okay!" We both jumped to get our equipment: him - his retro red and white tricycle with tassel handlebars, and me - my Nikon D80 with 70-200 f/2.8.  We both hustled outside before the sun when down - a great time to photograph children. He rode like he hadn't just told me he was "so tired, Mama," circling the courtyard until he couldn't take it anymore, grabbing for the tag in his shirt and popping in his thumb, all while trying to maintain peddling speed. After 20 minutes of his on-and-off tag grabbing, I said, "Peanut, we should go in - you're exhausted." His tricycle hit the grass and he looked at me in frustration and said, "Mama, this is no time to be taking photos, please pus...
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